The zips represented the place where the Newman invites the viewer to enter and feel the totality of separateness and individuality of their own, but also of the entire world, society or universe. It was an embodiment of physical body, as opposite to the color field that contains the raw energy of life.
Motherwell tries to unravel the deeper meaning of reality, something that is never seen and unrecognizable. Some of his most iconic works are related to the Spanish Civil War, which left quite an impression on the artist. Robert’s desire to explore, allowed him to move from one medium to another, from paintings and prints to sketches, collages, and drawings. His mission is to create substantial and eye-catching art imagery, which will transcend pure emotions, truth, and authentic feelings.
artist, musician, painter. career began in 2009, after leaving a reading band. Decided to move on to an art that uses his mind rather than physical. Went to study an art curating course regarding the shortage of black men in the art world- he worked at an institution. Alongside this he began writing art critism (for art monthly magazine) he looks at questions such as:
whats it like aesthetically?
is it challenging and pushing boundaries?
how does it relate to art history?
He was pulling things off the web (archives) and presenting it in the gallery. q
- The sublime experience makes us feel insignificant
- It helps put things in to perspective, making our life problems seem minor
- The sublime helps us to feel part of the whole of humanity
- The sublime makes us feel small in a very helpful way
- THE BEAUTIFUL: well formed and aesthetically pleasing
- THE SUBLIME: the power to compel and destroy us
- The preference or the sublime over the beautiful was to mark the transition from the neoclassical to the Romantic era
- THE BEAUTIFUL causal structure: small, smooth, delicate
- THE SUBLIME casual structure: vastness, infinite, magnificent
- THE BEAUTIFUL calms our nerves
- THE SUBLIME creates tension in our nerves
- THE BEAUTIFUL is passion of love
- THE SUBLIME is passion of fear
In relation to my art practice I seem to be creating large abstract paintings relating to the sublime. My previous small scale paint pours seem more like a representation of the beautiful- with their neatness and aesthetically pleasing scale and colour.
Genser portrays her obsession with texture, pattern, and colour of the natural world through using paper as pigment. She constructs her pieces by layering, cutting, rolling, and combining paper. Her pieces look like aerial landscape views, satellite imagery, and biological cellular processes. This work relates to the grid effect created on my large scale abstract dripping paint technique. I would like to add more lecture into my paintings similarly to Genser.
Kim combines aspects of nature and man-made through unpredictable sculptures. He juxtaposes objects from opposing worlds of nature and man-made. The sculptures challenge us to rethink the world.
The installations portray surreal settings and the sculptures portray the calm coexistence between natural and the insentient. The work gives the viewer a new perspective.
Macdowell presents dead and decaying animals with anthropomorphic features. She blurs the difference between man and nature in a state of destruction.
Macdowell says: “In my work this romantic ideal of union with the natural world conflicts with our contemporary impact on the environment. These pieces are in part responses to environmental stressors including climate change, toxic pollution, and gm crops. They also borrow from myth, art history, figures of speech and other cultural touchstones. In some pieces aspects of the human figure stand-in for ourselves and act out sometimes harrowing, sometimes humorous transformations which illustrate our current relationship with the natural world.”
film- Holly head. starting point of a surrealist film. stereotype characters.
logos trademarks as a child trying to link it with current possessions nostalgia etc.
film includes documents, he shows them as damaged objects that don’t represent what actually happened in those situations